illumination pattern

1) Техника: распределения поля в раскрыве (антенны)

2) Телекоммуникации: ДНА облучателя, распределение облучения

3) Макаров: распределение поля в раскрыве (антенны)

1) распределение облучения

2) ДНА облучателя

1) рисунок; изображение; узор; картина; рельеф || формировать рисунок или изображение

2) образ

3) образец; модель; шаблон; трафарет

4) лекало

5) метал. форма

6) моделировать; копировать

7) вчт. графический шаблон

8) мн. ч. аппликации( в ЦМД ЗУ)

9) характеристика

10) конфигурация; строение; структура

11) кристаллическая решётка

12) схема; диаграмма

13) сетка ( размещения скважин)

14) диаграмма направленности ( антенны)

15) рентгенограмма

16) схема (сейсмической) группы; (сейсмическая) группа; расстановка в (сейсмической) группе

17) последовательность ( импульсов)

18) код; кодовая комбинация

19) тлв испытательная таблица; испытательное изображение

20) промежуточный оригинал ( фотошаблона)

21) швейн. отрез; купон

1) рисунок; образец

2) схема, диаграмма ( направленности антенны)

3) конфигурация

4) растр

5) изображение

•

- acceptance pattern

1) система

2) установка; устройство

•

- 2D CAD system

   1) All Human Complex Problem Solving Is Creativity

   Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)

   2) Artificial Intelligence Models of Creative Association

   Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)

   3) Creative Innovation and Social Independence

   There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)

   4) Ego Strength and Emotional Stability among Creative Geniuses

   he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)

   5) Its Mundane Character

   he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)

   6) Mozart's Musical Ideas Came to Him in Polished Form

   From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)

   7) Scientific Theories and Works of Art Alike Originate in Fantasy

   Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)

   8) Self- Esteem and Creative Expression

   The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)

   9) Stages in Creative Problem- Solving

   In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)

    10) The Bisociative Pattern of the Creative Synthesis

   he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)

    11) The Earliest Stages in the Creative Process Involve a Commerce with Disorder

   Even to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)

    12) The Inner Life of the Creative Process

   New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)

    13) The Problem of What Impels the Creative Person

   [P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....

   Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)

    14) Theories of Creative Thinking

   A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....

   Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)

1) управление; регулирование; регулировка || управлять; регулировать; задавать

2) контроль; проверка || контролировать; проверять

3) орган управления; орган регулировки, регулятор; орган настройки

4) устройство управления; блок управления

5) система управления

6) рукоятка или рычаг управления

7) профилактические мероприятия, надзор

1) чувствительность

2) чувствительность обнаружения, вероятность правильного обнаружения ( сигнала)

3) восприимчивость

•

- sensitivity of test

1) чувствительность

2) чувствительность обнаружения, вероятность правильного обнаружения ( сигнала)

3) восприимчивость

•

- alignment sensitivity

— AA fire control radar

— ABM long-range acquisition and target tracking radar

— ABM mechanical scan dish-type radar

— ABM radar

— ABM target acquisition and engagement radar

— above-the-horizon radar

— acquisition radar

— acquisition/surveillance radar

— acquisition/tracking radar

— acquisition/warning radar

— active radar with active response

— active radar with passive response

— active radar

— active target acquisition radar

— advance early warning radar

— air and surface surveillance radar

— air defense bistallc radar

— air defense radar

— air search radar

— air surveillance radar

— air target acquisition radar

— air/surface search radar

— air/surface warning radar

— airborne early warning radar

— airborne ground surveillance panoramic radar

— airborne patrol early warning radar

— airborne radar

— airborne search radar

— aircraft warning and ground control radar

— aircraft warning radar

— air-to-air radar

— air-to-surface radar

— air-tracking radar

— alerting radar

— antimissile defense radar

— antimissile guidance radar

— antipersonnel radar

— antisubmarine-launched BM radar

— artillery locating radar

— artillery weather radar

— attack radar

— backscatter OTH radar

— balloon-lifted early warning radar

— battalion HQ radar

— battery control radar

— battle area air traffic control radar

— battlefield surveillance and target acquisition radar

— battlefield surveillance radar

— beacon-tracking radar

— beam-rider radar

— beyond-the-horizon radar

— beyond-visual-range radar

— blind fire radar

— bombing radar

— capture radar

— close control radar

— close-in air defense radar

— close-support radar

— coastal defense radar

— coastal radar

— combat radar

— conformal radar

— confuse opposing radar

— continuous radiation ground surveillance radar

— control radar

— counterbattery radar

— countermortar radar

— cue a weapon-locating radar to other intelligence sources

— decoy-target discrimination radar

— degrade radars

— detection radar

— differential radar

— directivity pattern variable radar

— director radar

— director/illumination radar

— discrimination radar

— disrupt radars

— Doppler-ground moving target location radar

— down-looking radar

— drone-tracking radar

— dual differential tracking radar

— early warning OTH radar

— early warning radar

— ECCM radar

— electronic scanning radar

— electronically agile beam radar

— engagement radar

— fan-beam surveillance and identification radar

— fighter-control radar

— fire adjustment radar

— fire control radar

— flight support radar

— fly under radars

— foliage-penetrating radar

— forward area alerting radar

— forward area control radar

— forward area surveillance radar

— forward looking radar

— forward scatter OTH radar

— foxhole radar

— frequency wild radar

— frequency-agile radar

— frequency-agility radar

— frequency-hopping radar

— frequency-scanned radar

— front-line radar

— ground -based radar

— ground moving target acquisition radar

— ground moving target surveillance radar

— ground wave radar

— ground-controlled interception radar

— ground-mapping radar

— ground-piercing radar

— ground-target identification radar

— ground-target surveillance radar

— guidance radar

— guiding radar

— gunnery radar

— hand-held radar

— height finder radar

— helicopter-borne long-range ground moving target acquisition radar

— high power radar

— holographic radar

— homing radar

— hostile weapon locating radar

— hydroacoustic radar

— identification radar

— illuminating radar

— illuminator radar

— interception radar

— interrogation radar

— intrusion radar

— IR radar

— laser radar

— launching control radar

— line-of-sight ground radar

— lock-on radar

— long-dwell time radar

— long-range ground surveillance radar

— look-down radar

— look-up radar

— low power radar

— low-altitude surveillance radar

— low-coverage radar

— low-probability of intercept radar

— low-target acquisition radar

— manual radar

— mapping radar

— maritime search radar

— medium power radar

— medium-range ground surveillance radar

— metal reradiation radar

— meteorological radar

— missile attack radar

— missile battery radar

— missile guidance radar

— missile site radar

— missile warning mobile radar

— missile-tracking radar

— mobile radar

— monitoring radar

— mortar/artillery locating radar

— moving target locating radar

— multilateration radar

— multiple array radar

— multiple beam vertical directivity pattern radar

— multiple-track radar

— navigational radar

— non-ABM radar

— northern-looking radar

— obstacle warning radar

— optical radar

— OTH radar

— passive homing radar

— passive radar

— patrol radar

— perimeter acquisition radar

— phased-array radar

— planar array surveillance radar

— portable radar

— pulse radiation ground surveillance radar

— pulsed radar

— quasicontinuous radiation ground surveillance radar

— quiet radar

— radar on target

— random pulse-to-pulse frequency shift radar

— random-jumping changing carrier frequency radar

— range search radar

— real-time radar

— recognition radar

— reconnaissance and terrain mapping radar

— relocatable OTH radar

— remote a radar

— remote fire control radar

— rotor-blade radar

— RPV-tracking radar

— SAM guidance radar

— satellite-borne radar

— sea skimmer detection radar

— search radar

— search water radar

— search-and-attack radar

— search-and-fire control radar

— search-and-tracking radar

— semiactive radar

— short-range ground surveillance radar

— sideways looking radar

— sky-wave radar

— small arms fire direction determination radar

— small arms sighting radar

— standoff radar

— standoff target acquisition radar

— stationary ground-target surveillance radar

— submarine detection synthetic aperture radar

— surface search surveillance radar

— surface target acquisition radar

— surface wave radar

— surveillance and target designation radar

— surveillance and target designator radar

— surveillance radar

— survey radar

— tactical radar

— tail-defense warning radar

— target acquisition radar

— target designation radar

— target identification radar

— target radar

— target tracking radar

— terminal guidance radar

— terminal threat radar

— terrain-following radar

— threat radar

— thwart enemy radar

— track and guidance radar

— tracker radar

— tracker/illuminator radar

— tracking radar

— track-while-scan radar

— trajectory tracking radar

— van-type vehicle radar

— vegetation-concealed target surveillance radar

— vertical coverage multiple beam radar

— victim radar

— warning radar

— weapon-aiming radar

— weapon-control radar

— weapon-locating radar

— weather radar

— wind-finding radar

1) диаграмма; схема; эпюра; график; чертёж || строить диаграмму или график; составлять схему; изображать схематически

2) (электрическая) схема